Workshop

SPCS|Season2 Gardening (and) the Wild

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SPCS (pronounced species) is a program that explores new ways of co-creation with the uncontrollability of nature. This Season 2 is centered around the ‘Garden’. Join two gardeners from Ueyakato Landscape, a firm that has worked on some of Japan’s most famous gardens, to experience landscaping and re-evaluate our perception of beauty and intervention in the natural world. This event is held over three days on the 17th of Dec, 2022, 14th of January 2023 and and the 28th of January 2023.

Sat, December 17, 2022  UTC+09:00

Sat, January 14, 2023  UTC+09:00

Sat, January 28, 2023  UTC+09:00

09:00 – 12:00

20

10,000 yen (cost covers all 3 sessions)

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The discourse that aims at total ecological preservation seems too nostalgic and ignorant of the creative power of nature. But the gardener is an intermediary, and thus can advise on the inspirations and hesitations of the movements of living organisms, placing themselves in the knot of unexpected encounters. – The Garden in Movement, Gilles Clement

This season, the issue of how to build sustainable initiatives birthed the project of “Landscaping the Garden”. The site – Shosei En, a garden belonging to the Higashi Honganji Temple. The lecturers – Yosuke Ota and Satoshi Washida, gardeners from Ueyakato Landscape. Keeping Higashi Honganji’s philosophy of “diversity” and “saving all people” in mind, the two gardeners have landscaped Shosei En for the past 8 years with the question “what is diversity?”  at the forefront of their work. 

What is beauty by our human standards? How can it be updated? How can gardens, as man-made sites, inform us on the sustainability of the relationship between human and nature?

The work of these two gardeners aim not to control the greenery, but to co-create alongside it. In other words, doing away with pesticides or short-term solutions, and using as little human resources as possible while designing around and utilizing the natural growth. In this workshop, participants will experience the work that needs to be done in winter for the upcoming spring. Yousuke Ota and Satoshi Washida will guide us in tidying the dead leaves and weeds in a way that considers the ecosystem and the meaning of beauty. 

Through both practical and theoretical sessions, we will think about what new works we can create in Shosei En. In the final session, art mediator Michiko Haga will give her comments on each piece of work. Join us to challenge our perceptions of beauty over the course of these three sessions working in the garden.

  • Ueyakato Landscape has worked on multiple historical gardens of Japan. The center stage of this workshop - Shosei En in autumn foliage.

  • The famous Murin-an built by Yamagata Arimoto is one of the gardens under the care of Ueyakato Landscape.

Experimentation is common in Shosei En, where the theme of “diversity” is put into practice in daily gardening. Leaving a dead tree as a symbol, or keeping what would be considered weeds as part of the landscape are rare in other scenic gardens.

Ueyakato Landscape was established in 1849, and has landscaped many famous gardens such as Nanzen-ji and Chishaku-in. Not only have they developed and honed their garden landscaping techniques, the gardeners in Ueyakato Landscape have written multiple papers regarding their research on landscaping. Instead of simply keeping to tradition, they are proposing forward-looking methods that promote diversity. To them, the Garden as an intersection between nature and nurture, is used as a field of experimentation. 

Even in Shosei En, which was built 365 years ago, the ways it was kept should change, as both its purpose and natural environment has evolved in modern times. How should we as humans design our environments to be spaces that other living things can live in? And to achieve that, how do we have to renew our value systems? In this program, we try to answer that through experimentation and experience from both an ecological and cultural perspective.  

Through this program, we try “Sweeping the Garden” (= Maintaining the Garden). This gives us an understanding of how to achieve a balance between what we consider beautiful and allowing nature free reign. From a multi-species point of view, let’s think about what choices we can make as we get our hands dirty. One of the lecturers, Yosuke Ota, comes from a biotechnology background, while the other, Satoshi Washida specialized in art. These two contrasting perspectives and the two lecturers’ daily experimentation will surely bring about new insight on how we design our relationship with nature.

The realization that the PH levels pine and moss thrive in differ from that of grasses and bacteria started an experiment in laying out pine needles. Such is the speciality of Ueyakato Landscape, to create interesting environments where different varieties of flora can co-exist instead of purely weeding through brute force.

Invasive species such as the broomsedge bluestem are often weeded. At Shosei En, they are kept as an experiment in coexistence.

  • Gardeners are the practitioners of both art & science
    Gardening that transforms the idea of Beauty and Order

    Taking an experimentational approach to groundskeeping in Shosei En, gardener Yosuke Ota from Ueyakato Landscape explains his trials and errors. Finding new initiatives that change how we intervene with ecology or our perception of beauty, his work creates new ways to think about the relationship between human and nature.
    >> Read more here(Only in Japanese so far, will be translated into English soon)

Our first guest lecturer is Tohoku University ecologist Kondoh Michio,  who studies how the balance in nature is maintained. Kondoh released his research “The evolution of uselessness supports biodiversity” in 2020. What exactly is useless in ecological terms? How do we grasp what ‘uselessness’ is? And how do we update our perception of it? Will be explored through the garden.

SPCS is a program that explores new ways of co-creation with nature through prototyping. “In what ways can we handle the uncontrollable power of nature and design systems that promote creativity?” Is our guiding question. Each season, we invite lecturers from different fields to carry out practical workshops. Instead of manipulating nature for our human needs, we explore a creationary approach. We encourage a speculative output formed by each participant’s curiosity towards biological mechanisms. 

Activity Concepts / Past activities >>
SPCS|A community exploring biological design

  • Tour of Shoseien
    • Yosuke Ota(Ueyakato Landscape)
    • Introduction to initiatives promoting diversity in Shoseien walking tour
  • Introductions
    • Q&A
    • ”Maintenance” in the context of gardens
    • Participant self-introduction
      • What are you willing to leave in the hands of nature in your daily life?
  • Guest Lecture「Uselessness supports biodiversity」
    • Kondoh Michio(Biology Professor, Graduate School of Life Sciences, Tohoku University)
  • Wrap-up
    • What is gardening?
      • Yosuke Ota、Satoshi Washida(Ueyakato Landscape)
    • Homework:「If you could create a new work in Shoseien…」Ideation
  • Maintaining the Garden 1 | Gravel and Fallen Leaves
  • Maintaining the Garden 2 | Introduction to Weeding
  • Workshop:Brushing up on working ideas
    • Discussion and sharing of ideas, World Cafe style
  • Maintaining the Garden 3 | Scattering Pine Needles
  • Maintaining the Garden 4 | Dying Cherry Trees and Weeding
  • Presentation of all ideas(90min)
    • Review:Michiko Haga (Art mediator), Yosuke Ota、Satoshi Washida
  • Discussion and idea exchange
  • Urban planners or landscape architects looking to explore ways of working with plants; designers, architects and developers interested in biophilia design
  • Artists and researchers who want to create and research more into our relationship with plants, insects and microbes.
  • Designers and planners searching for new value systems surrounding circular societies, biodiversity from Japanese culture and industry. 

Schedule 

  • Day1:12/17(土)9:00-12:00
  • Day2:1/14(土)9:00-12:00
  • Day3:1/28(土)9:00-12:00
  • In case of wet weather conditions:
    • Day1, 2 will be held on 1/21(土)9:00-12:00 instead

Participants

  • 20 

Participation fee:

  • 10,000 yen (cost covers all 3 sessions)

Location

  • Shoseien 
  • FabCafe Kyoto  

For every session, the practical workshop will be held at Shoseien and the lecture will follow afterwards at FabCafe. FabCafe Kyoto is a 5 minute walk away from Shoseien. 

 

Organisers

  • FabCafe Kyoto / Loftwork 

 

Partners

  • Ueyakato Landscape

 

Sponsorship

  • Japan Tourism Agency [ Tourist Project to promote the revitalization and high-value-added development of existing tourist attractions ]

 

Please note:

  • If there are more applicants than slots available, participation may be chosen by a raffle. We seek your understanding on this.
  • Photos of participants and the program may be used on loftwork.com / FabCafe Kyoto’s websites. 
  • The program may change without prior announcement.
  • Communication for this program is carried out on Discord. (No installation beforehand is required)
  • Please come in shoes with soft soles that can be dirtied (e.g. canvas shoes / sneakers)
  • In case of wet weather, program dates may change to the 21st of January. 
  • The participation fee covers all 3 sessions. No partial refunds will be given if participants cannot join for a part of the sessions.

Lecturer

  • Yosuke Ota

    Ueyakato Landscape

    Craftsman of Ueya Kato Landscape, established in 1848. He is in charge of the Shoseien Garden of Higashi Honganji Temple. While working to protect the biodiversity of Shoseien, he also engages in research and development of projects to improve the forests of Higashiyama, an essential part of Kyoto’s scenic beauty. He is attached to all living things, and is involved in Shoseien with an emphasis on viewing the garden from the perspective of living creatures. He has a principle of “tasting everything in the natural world”.

    Craftsman of Ueya Kato Landscape, established in 1848. He is in charge of the Shoseien Garden of Higashi Honganji Temple. While working to protect the biodiversity of Shoseien, he also engages in research and development of projects to improve the forests of Higashiyama, an essential part of Kyoto’s scenic beauty. He is attached to all living things, and is involved in Shoseien with an emphasis on viewing the garden from the perspective of living creatures. He has a principle of “tasting everything in the natural world”.

  • Satoshi Washida

    Ueyakato Landscape

    Craftsman of Ueyakato Landscape, established in 1848. In charge of the Shoseien Garden at Higashi Honganji Temple. Washida is a craftsman who was attracted by the charm of Japanese gardens as works of art that transcend reason, and is involved in the creation of gardens. With a background in contemporary art, he is dedicated to the daily care of Japanese gardens with the goal of creating a closer connection between Japanese gardens and art. Among landscape paintings, he especially enjoys the works of Edward Hopper.

    Craftsman of Ueyakato Landscape, established in 1848. In charge of the Shoseien Garden at Higashi Honganji Temple. Washida is a craftsman who was attracted by the charm of Japanese gardens as works of art that transcend reason, and is involved in the creation of gardens. With a background in contemporary art, he is dedicated to the daily care of Japanese gardens with the goal of creating a closer connection between Japanese gardens and art. Among landscape paintings, he especially enjoys the works of Edward Hopper.

Guest Lecturer

  • Norio Kondo

    Professor, Graduate School of Life Sciences, Tohoku University

    Dr. Kato majored in ecology at the Graduate School of Science, Kyoto University. In 2018, he founded and became the first president of the Society of Environmental DNA Research, and in 2019, he launched and organized ANEMONE, a biodiversity observation network using environmental DNA with the participation of industry, government, academia, and the private sector. In 2022, he will release the ANEMONE DB, a public database of ANEMONE observation information, and establish the ANEMONE Consortium of industry, government, and academia for data utilization and observation development, of which he is the representative. He is exploring ways to create an autonomous management system for nature in which all people can participate. His longstanding challenge is how to connect the rich “personal world” of emotions and empathy with the powerful “scientific world” that proceeds with objectivity and a critical spirit.

    Dr. Kato majored in ecology at the Graduate School of Science, Kyoto University. In 2018, he founded and became the first president of the Society of Environmental DNA Research, and in 2019, he launched and organized ANEMONE, a biodiversity observation network using environmental DNA with the participation of industry, government, academia, and the private sector. In 2022, he will release the ANEMONE DB, a public database of ANEMONE observation information, and establish the ANEMONE Consortium of industry, government, and academia for data utilization and observation development, of which he is the representative. He is exploring ways to create an autonomous management system for nature in which all people can participate. His longstanding challenge is how to connect the rich “personal world” of emotions and empathy with the powerful “scientific world” that proceeds with objectivity and a critical spirit.

  • Michiko Haga

    Art mediator

    Born in Okayama Prefecture in 1985, Haga received her master’s degree in Human and Environmental Studies from Kyoto University in 2011. Her work “Love in ‘Two Kohei'” was selected as an honorable mention in the 16th Art Critique Competition of “Bijutsu Techo”. Major projects and coordination include “THE BOX OF MEMORY-Yukio Fujimoto” (kumagusuku, 2015), “Osamu Kunifu ‘Underwater Engine’ Re-production Project” (2017-), Kaoru Kan solo exhibition “Light and Sea” (Choseiin, Gallery PARC, 2019) . Part-time researcher at Kyoto City University of Arts, Art Resource Research Center. Lecturer at the Jodo Composite Writing School.

    Born in Okayama Prefecture in 1985, Haga received her master’s degree in Human and Environmental Studies from Kyoto University in 2011. Her work “Love in ‘Two Kohei'” was selected as an honorable mention in the 16th Art Critique Competition of “Bijutsu Techo”. Major projects and coordination include “THE BOX OF MEMORY-Yukio Fujimoto” (kumagusuku, 2015), “Osamu Kunifu ‘Underwater Engine’ Re-production Project” (2017-), Kaoru Kan solo exhibition “Light and Sea” (Choseiin, Gallery PARC, 2019) . Part-time researcher at Kyoto City University of Arts, Art Resource Research Center. Lecturer at the Jodo Composite Writing School.

企画

  • Nami Urano

    Loftwork Inc. / FabCafe Kyoto Marketing Div.

    After graduating from university, Nami began her work at the creative company, Loftwork, where she was in charge of planning and managing business events and community management. At this time, her focus was on encouraging industry and university collaboration, specifically between Japanese companies and international universities. In 2018, Nami moved to Loftwork in Kyoto where she is in charge of PR, marketing, and recruitment. In 2020, Nami was involved in the launch and management of FabCafe Kyoto’s project-in-residency program, COUNTER POINT. From 2022, Nami launched SPCS (“Species”), a community that explores the uncontrollability of nature. Nami is interested in creating chaos in place, taking inspiration from her personal experiences of living in Folkehøjskole, Denmark, experiencing a kibbutz in Israel, and the fermentation club activities she co-hosted with chef Momoyo Morimoto.

    After graduating from university, Nami began her work at the creative company, Loftwork, where she was in charge of planning and managing business events and community management. At this time, her focus was on encouraging industry and university collaboration, specifically between Japanese companies and international universities. In 2018, Nami moved to Loftwork in Kyoto where she is in charge of PR, marketing, and recruitment. In 2020, Nami was involved in the launch and management of FabCafe Kyoto’s project-in-residency program, COUNTER POINT. From 2022, Nami launched SPCS (“Species”), a community that explores the uncontrollability of nature. Nami is interested in creating chaos in place, taking inspiration from her personal experiences of living in Folkehøjskole, Denmark, experiencing a kibbutz in Israel, and the fermentation club activities she co-hosted with chef Momoyo Morimoto.

Information

Date & Time

Sat, December 17, 2022 UTC+09:00
Sat, January 14, 2023 UTC+09:00
Sat, January 28, 2023 09:00 – 12:00 UTC+09:00

Fee

10,000 yen (cost covers all 3 sessions)

Capacity

20

Organizers & Sponsors

Planning: FabCafe Kyoto
Partner: Ueyakato Landscape

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